Chapter 5
My work at the Centrum Judaicum is varied. It´s a bit hard to explain what exactly I do each day - sometimes I do work from the Museum, other times I focus on my independent research. One of the major projects for the museum is an upcoming exhibition about the Jewish Museum of Berlin 1933-1938, an historical examination of the Art and Judaica collection of the Jewish Community of Berlin, which became one of the world´s first Jewish Museums, and was then tragically forced to close after the Pogrom Night of 1938, after which the art was taken by the Nazis. After the war a large portion of the collection was rediscovered in Berlin and subsequently restituted and/or distributed to other institutions around the world, as the Jewish community of Berlin was at that time too small and weak to even consider reclaiming the works. Nevertheless, this art collection was extremely meaningful to the community, along with being quite valuable.
My task has been to examine catalogs, lists and other documents made about the collection between 1945-1955 to help the museum understand where the art went during these years, and where it might be now.
One of my coworkers, who is more involved in the project than I am, actually managed to find two "lost" pieces of art that wound up in a retirement home for Holocaust survivors in London. And, given my talent for English (uh, yeah) and frequent (ok, occasional) travel to London, I got nominated (I asked) to retrieve the rediscovered paintings from London and bring them home. This was possibly the most glamorous and exciting moment of my life.
Until this point in my 24 years on this earth, things have been good, ok really good, but not exactly action movie worthy. If my life were to be made into a movie, right now it would be more of a modern day "Little Women" than, say, "Indiana Jones". But, whatever. That was all about to change, because I was about to bring World War 2 stolen art back to its rightsful home - hello Nobel Peace Prize.
BuKa the Movie:
Scene 1: British air flight to London with my parents (in the movie we will cut the parents - sorry, and swap British air for a helicopter).
Scene 2: Hanging out with the family in Greenwich - birthplace of time. We will leave this in the movie, because it was kind of fantastic. We took a boat ride to Greenwich, took pictures standing on the Prime Meridian, toured a museum entirely about clocks, and learned about Sympathy Powder.
Ok, brief hiatus from the movie to explain this ridiculously cool concept. Basically, the Prime Meridian and in fact time itself (more or less, ok less) were invented, because sailors were unable to navigate properly resulting in a lot of shipwrecks. So, it was determined that they needed a way to tell time aboard ships, where pendulum clocks were of no use. Lots of scientists, scholars, and all around genius-y types were called on to try to solve this problem. One of the suggestions was Sympathy Powder, which is a powder that was believed to have special powers. The plan was to GENTLY cut a bunch of dogs with the same knife, send each dog on a different seafaring vessel, and then have someone in London plunge that same knife in a bowl of sympathy powder everyday at noon, thereby causing all of the dogs in various parts of the world to yelp in MILD agony, thus indicating to the ship´s captain the time of day to be noon. Clearly this did not prove to be so successful.
Scene 3: Family trip to Brighton to walk along the pebbly beach, and explore an awesome palace wherein we learned the word "Chinoiserie", the attempting by europeans to imitate (poorly but elaborately) the artistic styles of Asia.
Scene 4: Return Priceless Lost Art to Germany
Setting: Elder Care Facility in Golders Green. Note: This will likely be the first action film to take place in an elder care facility or in Golders Green.
With my parents in tow, we arrived at the facility and were given a lovely tour, which I actually found really interesting. Finally we were shown two beautiful pieces of art. One which I recognized from my work at the CJ, a simple but elegant still life, quite large, definitely too big to transport home to Berlin alone. The other was still hanging on the wall, and was a huge portrait of a rabbi that our guide said the residents were sad to see go. But, no way was I going to be able to lug that thing home. Then we were shown some other pictures and portraits that, along with these two paintings, had been at the old facility for many years. I took pictures of everything. It was pretty disappointing but it seemed there was no way I could carry these two paintings across state lines. I left feeling slightly disappointed, but knowing there was just no feasible way I could carry those two paintings.
The Getaway Scene: Without any art, I flew home to Berlin, met a nice Palestinian couple who offered me a ride home (but they didn´t actually understand where I lived, so I ended up riding with them to the opposite end of the city and then taking the ubahn home).
Conclusion: A little less Thomas Crown Affair, a little more I love Lucy
Upon returning to work on Tuesday, without any art, I showed my bosses the two paintings I had seen. The Still Life, yes they agreed, far too big for me to drag home alone, and the Rabbi painting.
The Rabbi painting??? My bosses looked shocked and confused. Even more when they saw the picture of the giant painting hanging on the wall in London.
It was the wrong painting. Looking back through my photos from the previous day, I had a beautiful photo of the small, portable, etching which had belonged to the Jewish Museum of Berlin in the 1930s. A phone call to London and the whole confusion was cleared up.
And that is the story of how I accidentally almost but didn´t steal artwork and transport it across national lines.
My work at the Centrum Judaicum is varied. It´s a bit hard to explain what exactly I do each day - sometimes I do work from the Museum, other times I focus on my independent research. One of the major projects for the museum is an upcoming exhibition about the Jewish Museum of Berlin 1933-1938, an historical examination of the Art and Judaica collection of the Jewish Community of Berlin, which became one of the world´s first Jewish Museums, and was then tragically forced to close after the Pogrom Night of 1938, after which the art was taken by the Nazis. After the war a large portion of the collection was rediscovered in Berlin and subsequently restituted and/or distributed to other institutions around the world, as the Jewish community of Berlin was at that time too small and weak to even consider reclaiming the works. Nevertheless, this art collection was extremely meaningful to the community, along with being quite valuable.
My task has been to examine catalogs, lists and other documents made about the collection between 1945-1955 to help the museum understand where the art went during these years, and where it might be now.
One of my coworkers, who is more involved in the project than I am, actually managed to find two "lost" pieces of art that wound up in a retirement home for Holocaust survivors in London. And, given my talent for English (uh, yeah) and frequent (ok, occasional) travel to London, I got nominated (I asked) to retrieve the rediscovered paintings from London and bring them home. This was possibly the most glamorous and exciting moment of my life.
Until this point in my 24 years on this earth, things have been good, ok really good, but not exactly action movie worthy. If my life were to be made into a movie, right now it would be more of a modern day "Little Women" than, say, "Indiana Jones". But, whatever. That was all about to change, because I was about to bring World War 2 stolen art back to its rightsful home - hello Nobel Peace Prize.
BuKa the Movie:
Scene 1: British air flight to London with my parents (in the movie we will cut the parents - sorry, and swap British air for a helicopter).
Scene 2: Hanging out with the family in Greenwich - birthplace of time. We will leave this in the movie, because it was kind of fantastic. We took a boat ride to Greenwich, took pictures standing on the Prime Meridian, toured a museum entirely about clocks, and learned about Sympathy Powder.
Ok, brief hiatus from the movie to explain this ridiculously cool concept. Basically, the Prime Meridian and in fact time itself (more or less, ok less) were invented, because sailors were unable to navigate properly resulting in a lot of shipwrecks. So, it was determined that they needed a way to tell time aboard ships, where pendulum clocks were of no use. Lots of scientists, scholars, and all around genius-y types were called on to try to solve this problem. One of the suggestions was Sympathy Powder, which is a powder that was believed to have special powers. The plan was to GENTLY cut a bunch of dogs with the same knife, send each dog on a different seafaring vessel, and then have someone in London plunge that same knife in a bowl of sympathy powder everyday at noon, thereby causing all of the dogs in various parts of the world to yelp in MILD agony, thus indicating to the ship´s captain the time of day to be noon. Clearly this did not prove to be so successful.
Scene 3: Family trip to Brighton to walk along the pebbly beach, and explore an awesome palace wherein we learned the word "Chinoiserie", the attempting by europeans to imitate (poorly but elaborately) the artistic styles of Asia.
Scene 4: Return Priceless Lost Art to Germany
Setting: Elder Care Facility in Golders Green. Note: This will likely be the first action film to take place in an elder care facility or in Golders Green.
With my parents in tow, we arrived at the facility and were given a lovely tour, which I actually found really interesting. Finally we were shown two beautiful pieces of art. One which I recognized from my work at the CJ, a simple but elegant still life, quite large, definitely too big to transport home to Berlin alone. The other was still hanging on the wall, and was a huge portrait of a rabbi that our guide said the residents were sad to see go. But, no way was I going to be able to lug that thing home. Then we were shown some other pictures and portraits that, along with these two paintings, had been at the old facility for many years. I took pictures of everything. It was pretty disappointing but it seemed there was no way I could carry these two paintings across state lines. I left feeling slightly disappointed, but knowing there was just no feasible way I could carry those two paintings.
The Getaway Scene: Without any art, I flew home to Berlin, met a nice Palestinian couple who offered me a ride home (but they didn´t actually understand where I lived, so I ended up riding with them to the opposite end of the city and then taking the ubahn home).
Conclusion: A little less Thomas Crown Affair, a little more I love Lucy
Upon returning to work on Tuesday, without any art, I showed my bosses the two paintings I had seen. The Still Life, yes they agreed, far too big for me to drag home alone, and the Rabbi painting.
The Rabbi painting??? My bosses looked shocked and confused. Even more when they saw the picture of the giant painting hanging on the wall in London.
It was the wrong painting. Looking back through my photos from the previous day, I had a beautiful photo of the small, portable, etching which had belonged to the Jewish Museum of Berlin in the 1930s. A phone call to London and the whole confusion was cleared up.
And that is the story of how I accidentally almost but didn´t steal artwork and transport it across national lines.